Von: 27. Sep, 2021 18:00
Bis: 27. Sep, 2021
The Politics of Enunciation: Forms of We

# political system


If the subject of politics is always a »we«, what does that tell us about the limits of political collectivity? How do the collectivity of artists and the collectivity of the artwork itself fit into this picture? These and broader questions were discussed in the lecture by Peter Osborne.

Peter Osborne is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy (CRMEP) at Kingston University London. He has held international visiting professorships in philosophy at the University of Paris 8 (2014, 2019), the Royal Institute of Art, Stockholm (2015) and Yale University School of Art (2017). Osborne has contributed to a number of international journals (including Afterall, Artforum, Art History, Cultural Studies, New German Critique, New Left Review, October, Telos, Texte zur Kunst) and catalogues for art institutions (including Manifesta 5, Tate Modern, Biennale of Sydney, Walker Art Center Minneapolis, Office of Contemporary Art Norway, National Museum of Art, Architecture and Design Oslo, Reina Sofia Madrid, MMK Frankfurt). He was co-curator of the Norwegian exhibition at the 2011 Venice Biennale. From 1983 to 2016 he was editor of the British journal Radical Philosophy. His books include The Politics of Time: Modernity and Avant-Garde (1995; 2011), Philosophy in Cultural Theory (2000), Conceptual Art (2002), Marx (2004), Anywhere or Not at All: Philosophy of Contemporary Art (2013) and The Postconceptual Condition (2018). His next book, »Crisis as Form«, will be published in 2022.

Peter Osborne, Foto: Rainer Schlautmann

Peter Osborne during his lecture in the Live-In Lab/Foyer of the Düsseldorf Schauspielhaus, Photo: Rainer Schlautmann

Peter Osborne during his lecture in the Live-In Lab, video commissioned by the Institute for Art History of the HHU, project »beuys2021« - editing: project office »beuys2021« and raumlaborberlin.

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